In and out.

https://www.victoriasimplycremations.com/garth-taylor-train/

I will be occupied with executor duties for some time to come, so posts here will not be very regular… won’t be much to report, either.

“Cold War Gone Hot, Again” panel: Friday, May 21, 2030-2130 EDT

The Bradley Tabletop Games Symposium is a two-day participatory online event that brings together game industry practitioners, scholars, and anyone else interested in the design and study of tabletop games. The symposium is a product of collaboration between the Interactive Media Department (https://www.bradley.edu/academic/departments/im/) of Bradley University and the Games and Simulation Arts & Sciences Program (https://hass.rpi.edu/games-and-simulation-arts-and-sciences) of Rensselaer Polytechnic Institute, managed by Double Exposure, Inc. (https://www.dexposure.com).

I’m doing a panel on the evening of Friday May 21st (well, generally evening, in North America): (event description)

The Cold War Gone Hot, Again: Retrofuturism or Futuristic Retro?

In the 1980s a number of serious wargames on a hypothetical Third World War were published, exciting some interest at the time. Over the last 10 years or so there has been a second wave of newly designed wargames that study that same subject – the Soviet invasion of Europe in the mid-1980s that never happened. Nostalgia for an actual past that one remembers imperfectly is one thing. But nostalgic game design to commemorate a then-hypothetical future war that is now a fictional past is a strange inversion of historiography indeed, and an additional twist beyond the approach taken by the designers of Twilight Struggle. What kind of retrofuturism is it? Is it even retrofuturism at all?

Hopefully it will be a true rambling conversation because I have more questions than answers on this.

Here is the event link, we will be talking on Discord but it will be broadcast on twitch.tv:

https://www.envoygateway.com/calendar/event/1888-the-cold-war-gone-hot-again-retrofuturism-or-futuristic-retro/

If you want to take part, you must register as a member of the Gateway. There is no cost (besides time subtracted from your mortal coil listening to me/us). There are many other interesting panels and games running; you can view the whole calendar as a list of events at this link, which also has a link to register:

https://dexposure.com/zoc2021sched.html

One event I plan to attend is on Saturday May 22, by the three guys behind the Eurowargames anthology I have written about (and for): Jan Heinemann, Riccardo Masini, Fred Serval.

Speaking About Wargames, in Different Languages: A Comparison of Experiences as International Wargaming Content Creators

Coming from different cultural and national backgrounds, content creators Jan Heinemann (Germany), Riccardo Masini (Italy) and Fred Serval (France) have recently joined their common knowledge to coordinate a collection of essays about wargaming in Europe and its many new design trends all over the world. But what about their different experiences as wargaming content creators on YouTube and other social media, with different approaches and different groups of viewers? Together with other prominent international content creators, this roundtable aims at highlighting the peculiar features of speaking about wargames also to non-English speaking viewers: the related difficulties caused by the language barrier and the different historical heritages, the perks granted by cultural diversity and the related criticalities, the needs of the different publics, the choice of media and style, the most requested contents and the games that prove harder to introduce, sometimes for lack of interest on the topic and sometimes even for their controversial nature in other nations. An engaging and rarely seen comparison and mutual confrontation about what it means to speak about board wargaming, a hobby born in the United States in the 1950s, also to non-US players by non-US content creators in the 2020s. Showing once again how gaming can prove to be an important bridge and connection between different cultures.

Link to event https://www.envoygateway.com/calendar/event/1901-speaking-about-wargames-in-different-languages-a-comparison-of-experiences-as-international-wargaming-content-creators/

Broadcast on: http://twitch.tv/dexconcord

SDHistCon: special Youtube pre-con event on Canadian designers!

 

flag

A message from SDHistCon Central:

O, Canada!
A special pre-con event!*
Thursday, May 20th, 2021 – 4:30pm PST

Dan Pancaldi (star of the No Enemies Here YouTube channel) hosts this special homage to Canadian historical boardgame designers. Dan will be leading this extraordinary panel, discussing his guests’ personal histories with the hobby, their games and their respective design philosophies. Featuring these designers: 

  • Robert DeLeskie (Wars of Marcus Aurelius; Stilicho, Last of the Romans)
  • Morgane Gouyon-Rety (Pendragon; Hubris)
  • Marco Poutré (Prelude to Rebellion: Mobilization and Unrest in Lower Canada)
  • Brian Train (Personal ludography)

Please join us for a heartfelt salute to these talented and insightful designers!

* Note that the O, Canada! panel event is not listed on the SDHistCon Events Schedule. No ticket is required. Subscribe to or visit the No Enemies Here YouTube channel at event time to join in the discussion… and of course it will be available for viewing on Youtube later, if you can’t make the scene.

https://www.youtube.com/c/NoEnemiesHere/featured

IMG_0407   I have a philosophy?

Tune in anyway, and listen to the other folks!

Dan Pancaldi is always fun to talk to.

“Cold War Gone Hot, Again” at Zones of Connection symposium

May be an image of chess and text that says 'ZONES OF CONNECTION BRADLEY TABLETOP GAMES SYMPOSIUM MAY 21sT & 22ND, 2021 Rensselaer BRADLEY EXPOSRREn Inc. University'

[ETA: better link to schedule here, plus registry link: https://dexposure.com/zoc2021sched.html

Link to twitch.tv room for the panel here: https://www.twitch.tv/dexboardroom1 ]

The schedule for the Zones of Connection: 21-22 May 2021 symposium has been roughed in and my panel is on Friday, May 21, 2030-2130 Eastern Daylight Time (UTC -4:00).

For people who want to listen in: see the twitch.tv links above; for anyone who wants to take part, things are handled through Discord (generally; Zoom if there is a screwup) and you can register at https://dexposure.com/zoc2021.html

Friday 8:30-9:30 

Room A

Title: The Cold War Gone Hot, Again: Retrofuturism or Futuristic Retro?

Participants: Brian Train

Style: Panel/Roundtable

Blurb:  In the 1980s a number of serious wargames on a hypothetical Third World War were published, exciting some interest at the time. Over the last 10 years or so there has been a second wave of newly designed wargames that study that same subject – the Soviet invasion of Europe in the mid-1980s that never happened. Nostalgia for an actual past that one remembers imperfectly is one thing. But nostalgic game design to commemorate a then-hypothetical future war that is now a fictional past is a strange inversion of historiography indeed, and an additional twist beyond the approach taken by the designers of Twilight Struggle. What kind of retrofuturism is it? Is it even retrofuturism at all?

Also,  the triumvirate behind the Eurowargames anthology will be holding a roundtable on the wargames connection between North American and European cultures.

[ETA: twitch.tv room for this session: https://www.twitch.tv/dexconcord  ]

Friday 1:00-2:00

Room C

Title: Speaking About Wargames, in Different Languages: A Comparison of Experiences as International Wargaming Content Creators

Participants: Jan Heinemann, Riccardo Masini, Fred Serval

Style: Roundtable

Blurb:  Coming from different cultural and national backgrounds, content creators Jan Heinemann (Germany), Riccardo Masini (Italy) and Fred Serval (France) have recently joined their common knowledge to coordinate a collection of essays about wargaming in Europe and its many new design trends all over the world. But what about their different experiences as wargaming content creators on YouTube and other social media, with different approaches and different groups of viewers? Together with other prominent international content creators, this roundtable aims at highlighting the peculiar features of speaking about wargames also to non-English speaking viewers: the related difficulties caused by the language barrier and the different historical heritages, the perks granted by cultural diversity and the related criticalities, the needs of the different publics, the choice of media and style, the most requested contents and the games that prove harder to introduce, sometimes for lack of interest on the topic and sometimes even for their controversial nature in other nations. An engaging and rarely seen comparison and mutual confrontation about what it means to speak about board wargaming, a hobby born in the United States in the 1950s, also to non-US players by non-US content creators in the 2020s. Showing once again how gaming can prove to be an important bridge and connection between different cultures.

I’m looking forward to seeing what these guys have to say!

SDHistCon, 21-23 May 2021

some image

Coming soon:

SDHistCon 2021: ‘Spring Deployment’! May 21-23, 2021
The San Diego Historical Games Convention (SDHistCon) is an annual event hosted and coordinated by a dedicated cadre of local gamers and friends, led by Harold Buchanan.

This “Spring Deployment” will be held virtually. There will be online historical gaming sessions and demos, seminars, live streams and other wargame community events. Most events will be coordinated using the Discord app (available free to all users).

The link to register is here:

https://tabletop.events/conventions/san-diego-history-con-2021-spring-deployment

Events during the con are free, but you need to get a ticket to attend anything; you also need an attendee’s badge which is a $10 donation (for all three days of the event).

I will be be conducting a session on China’s War 1937-41 at 1600 Sunday 23 May (that’s Pacific time, so UTC -7:00)

https://tabletop.events/conventions/san-diego-history-con-2021-spring-deployment/schedule/36

Only a few tickets are left! (I was surprised about that too.)

I’ll be talking about the history of the war, the different factions in the game, and other bits about game mechanics.

I hope you can make it! And if you can’t see this one, there are dozens and dozens of other events for you to check out:

https://tabletop.events/conventions/san-diego-history-con-2021-spring-deployment/schedule

Punched, punched

Out today, the second number of Punched, a free online zine on wargames edited by James Buckley of Cardboard Emperors!

https://www.cardboardemperors.co.uk/punched-2#coin

This one is a special issue with lots of content on COIN everything:

  • James Buckley discusses the four keys to the success of the COIN engine
  • Jason Carr talks about COIN’s success, discusses some mechanics, and considers the future of the series
  • Volko Ruhnke discusses how insurgencies are modelled in the COIN series, and what Control and Oppose/Support mean
  • Fred Serval writes about the seething mass of fan-made COIN games churning around on the GMT COIN Discord server; it’s frightening to poke your head in there. Of special interest is an upcoming quad of short games by Stephen Ranganzas using cut-down COIN system mechanics to explore “the British Way” of counterinsurgency: Palestine, Malaya, Kenya and Cyprus.
  • Also, a really nice review of Brief Border Wars!

It’s free, it’s there, it’s waiting for you at the above link!

Oh, and would I ever love to attend this con in July – Camden is so neat (setting aside the tourist-trappy stuff). But maybe next year.

Camden

No jib at this jab

 Today I got my first shot of AstraZeneca. In B.C. this is being dispensed through pharmacies to anyone over 55; Pfizer and Moderna are being given through an age-based provincial system that I won’t get into for another 6-7 weeks at least. The third wave of COVID-19 and variant P.1 is bad here (not as bad as Ontario though), supplies of vaccines to Canada have been bumpy generally and people have been avoiding a vaccine that is 10,000 times less likely to harm them than the actual disease.

I had made up my mind yesterday to look into getting AZ; today I went to the pharmacy to pick up my wife’s prescription, and asked the pharmacist what the situation was. He said, book an appointment here, hey, we have an opening right now. Ten minutes later I had been jabbed.

Somewhat sore arm and I feel tired but that is my normal reaction to my annual flu shot, so I am not worried. And two weeks from now I will be a lot less worried about a lot of things!

[ETA: I spoke too soon… that night I had fever, chills, body aches and joint pain and was pretty lethargic the next day; arm was kind of stiff for the following 2-3 days. Much more than my usual reaction but it certainly provoked something!]

Once again, it is proven that innumeracy is 10,000 times stronger than actual statistics… next shot is in four months.

[ETA: I think I got this just in time, lucky break. Two days after my shot, they opened eligibility for AZ to people 40 and over, and now there is none left on Vancouver Island. Also, much of Canada’s AstraZeneca supply comes from India. With the recent huge upsurge of infections in India and collapse of their health care system, I am wondering how likely it will be that I will be able to get the second shot at that time… unless the Americans send some of the millions of doses their people say they will refuse to take.]

Connections Online – Practical Game Design presentation on Youtube

Just a quick one… here is the link to the event on Youtube.

Zones of Connection: 21-22 May 2021

goldblum

[EDITED TO ADD: the schedule for the symposium has been roughed in and my panel is on Friday, May 21, 2030-2130 Eastern Time]:

Friday 8:30-9:30 

Room A

Title: The Cold War Gone Hot, Again: Retrofuturism or Futuristic Retro?

Participants: Brian Train

Style: Panel/Roundtable

Blurb:  In the 1980s a number of serious wargames on a hypothetical Third World War were published, exciting some interest at the time. Over the last 10 years or so there has been a second wave of newly designed wargames that study that same subject – the Soviet invasion of Europe in the mid-1980s that never happened. Nostalgia for an actual past that one remembers imperfectly is one thing. But nostalgic game design to commemorate a then-hypothetical future war that is now a fictional past is a strange inversion of historiography indeed, and an additional twist beyond the approach taken by the designers of Twilight Struggle. What kind of retrofuturism is it? Is it even retrofuturism at all?

Also,  the triumvirate behind the Eurowargames anthology will be holding a roundtable on the wargames connection between North American and European cultures.

Friday 1:00-2:00

Room C

Title: Speaking About Wargames, in Different Languages: A Comparison of Experiences as International Wargaming Content Creators

Participants: Jan Heinemann, Riccardo Masini, Fred Serval

Style: Roundtable

Blurb:  Coming from different cultural and national backgrounds, content creators Jan Heinemann (Germany), Riccardo Masini (Italy) and Fred Serval (France) have recently joined their common knowledge to coordinate a collection of essays about wargaming in Europe and its many new design trends all over the world. But what about their different experiences as wargaming content creators on YouTube and other social media, with different approaches and different groups of viewers? Together with other prominent international content creators, this roundtable aims at highlighting the peculiar features of speaking about wargames also to non-English speaking viewers: the related difficulties caused by the language barrier and the different historical heritages, the perks granted by cultural diversity and the related criticalities, the needs of the different publics, the choice of media and style, the most requested contents and the games that prove harder to introduce, sometimes for lack of interest on the topic and sometimes even for their controversial nature in other nations. An engaging and rarely seen comparison and mutual confrontation about what it means to speak about board wargaming, a hobby born in the United States in the 1950s, also to non-US players by non-US content creators in the 2020s. Showing once again how gaming can prove to be an important bridge and connection between different cultures.

Nick Mizer, who I first met in connection with the national conference of the Popular Culture Association several years ago (Bored of War…  and News Paper Games) recently sent me an “Invitation to Collaborate” to the Bradley Tabletop Games Symposium, an online event to be held 21-22 May, 2021.

The Symposium is itself a collaboration between the Interactive Media Department of Bradley University and the Games and Simulation Arts and Sciences Program of Rensselaer Polytechnic Institute, where Nick is currently teaching. First, this event is quite welcome because it focuses on tabletop games; people have heard me often enough moaning about how the academic field of Game Studies is willfully ignorant of its analog past and all it still has to teach. Second, this event is unusual because it is designed to be a collaborative event, a collection of events and sessions between the interdisciplinarian individuals involved in the field without the formal structure of keynote speakers, presentation of prepared papers, or scheduled fun-time events (that is, you’ll have to provide your own wine and charcuterie).

In wargames, a zone of control refers to the area of restricted movement and activity that occurs when two units become adjacent. As a theme for the first of these tabletop symposia “Zones of Connection” expresses our belief that bringing together a diversity of emerging voices and perspectives on tabletop games has much to offer through the connections that can be forged, interpersonally, emotionally, and intellectually.

Have a look at the invitation to collaborate document here Bradley Tabletop Games Symposium – Invitation to Collaborators and note that rather than submitting abstracts, they are asking for ideas for sessions (to be formatted as workshops, roundtables, panels and seminars but with as much audience participation as possible). If you have an idea for something you would like to participate in, let them know at the link in the document. Deadline for submissions is 26 April 2021.

To give you a further idea of what they might want to see, here are some topics of interest:

  • Games as media
  • Games and simulation
  • Games and anti-colonialism
  • Games as resistance
  • Games in/as education
  • Industry studies
  • Cultures of play
  • Board game cafes
  • Hybrid games
  • Ludo-textual analysis
  • Virtual tabletop play
  • Storytelling in tabletop games
  • Legacy and campaign games
  • Games and speculative futures / alternate histories
  • Discourse analysis of play sessions
  • Streaming and actual play podcasts
  • Phenomenology of play
  • Ludic fandom
  • History of tabletop games
  • Gaming and the military industrial complex
  • Games and translation
  • Games and play therapy
  • Board game renaissance
  • Games in the age of the pandemic

There must be something in all this to interest you!

Personally, I was interested in the speculative futures/ alternate histories topic and am considering submitting a suggestion for a session on that, related to this:

One thing that tweaked me while working on the games-as-journalism piece for the Eurowargames anthology was the section on games on hypothetical wars produced in the 80s, mainly on a Third World War. Regardless of whether you thought that was a farfetched event at the time, it did occupy a lot of interest – at the time. But over the last 10 years or so there has been a resurgence of new games coming out that study that same subject – a Soviet invasion of Europe in the mid-1980s (examples include the World at War series (2007 – 2015), Corps Command: Dawn’s Early Light (2010), Red Tide West (2014), Brezhnev’s War (2018), 1985: Under an Iron Sky (2018), Less than 60 Miles (2019), Red Tide South (2019), and The Fulda Gap: the Battle for the Center (2020)).

Nostalgia for an actual past that one remembers imperfectly is one thing. But nostalgic game design to commemorate a then-hypothetical future that is now a fictional past, it seems to me is a strange inversion of historiography indeed, and an additional twist beyond the approach taken by the designers of Twilight Struggle (where the disproved “domino theory” is consciously used in the game as the logic and incentive for players to act, within their roles as world leaders during the Cold War). So it’s a recreation of a hypothetical future from our past, but what kind of “retrofuturism” is it?

  • Dissatisfaction with the complex and quite changed power structures of today, and nostalgia for the bipolar world with its predicted wargasmic collision of the ideologies?
  • A notion that this war (potentially personally involving players then and now) would have been that generation’s “Good War” (per Studs Terkel), a moral exercise of Us vs. Them with clear-cut roles, unlike the troubling conflicts of Korea, Vietnam and half a dozen other interventions? (I do note that practically all of the examples I’ve given have been by American designers.)
  • Simple-minded huffing of nostalgia fumes for the games that these designers played in their youth? (Sure, I played my SPI NATO, Fifth Corps and BAOR like everyone else, but I miss other games from Back In The Day).
  • Rivet-counters looking for neato technical match-ups, and missing the contextual point as they often seem to do?

I can’t decide what it is; like always, it’s probably a little bit of everything, varying with the individual. It’s just something I’ve noticed and find perplexing, and while it’s pretty narrow I wonder if there are similar veins in other types of tabletop games.

Eurowargames anthology

One project I undertook during the winter was to prepare a piece for an upcoming anthology on Eurowargames – basically an expansion on my “games as citizen journalism” wheeze. This project is edited by Riccardo Masini, Fred Serval and Jan Heinemann, three very good names; they put out a call for articles last fall.

https://eurowargames.wordpress.com/

The original focus has somewhat widened, and the range of submissions will reflect that I think. Latest is that the anthology will be published in fall or winter of 2021, after getting sufficient funding through Kickstarter.

They did ask me my opinion about crowdfunding this, and I had no objection to using it as a pre-order system, but please, NO STRETCH GOALS!

Just get the book funded, and only the book. No tooled leather slipcases, commemorative tea cosies, or sets of commissioned miniatures of the authors (that last one is tempting though. I wonder what I would look like as a small action figure).

Anyway, the above interview (made before the final deadline for article submissions, so they did not yet know for certain what-all they had) gives more details.